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dimanche 24 mai 2009

To the attention of parents !

Ten things never to say to a teenager

Son or daughter failing to knuckle down to the revision? Maybe you are partly to blame …

Teenage girl in bedroom having an argument with her mother

To an adult, a teenager's experiences may be laughable: to the teenager, they're real and often mysterious. Photograph: Getty

You're going blue in the face. For months, you've been issuing warnings to your teenager. You've nagged and pleaded, you've explained that time is running out. You've supplied all necessary books and materials. You've printed out past papers going back as far as the 90s. Heck, you've even cooked well-balanced meals. So why is the revision planner you provided in March still totally blank? At this age, you were glued to your desk, yet your teenager isn't. What have you done wrong?

From hormones to peer pressure, any number of issues can stop a young person working eff ectively. So, if there is a problem, it's possibly nothing to do with you. But to be sure, run your eyes over this checklist of motivational gems, otherwise known as the top 10 shortcuts to producing suffering and underachievement in your teenager.

1. Negative hypnotic suggestions: "You'll kick yourself when you open that letter in August!"

By depicting the hard world that awaits all slackers – homelessness, poverty, social exclusion – you hope to galvanise your teenager into action. And indeed maybe she'll reward you by staring a bit at her computer screen. Then she'll Skype again. Why the relapse? Hasn't she taken in what you said? The problem is, yes. As any hypnotist will tell you, you've planted a vivid image of failure in your teenager's mind, one to which her unconscious mind may become deeply attached.

2. Loose warnings: "You'll never get a proper job if you carry on like this."

Warnings can motivate if they're specific: "To get into law, you'll need a minimum 2.1 at university." (Though even that's not quite true.) But you're not being specific. No, you're bandying about vague terms. You really believe what they say about good degrees being "essential" to career success? Chew on this: John Major ruled the country on three O-levels; Richard Branson seems to be running the world on the same; Estelle Morris failed her A-levels (to which failure she ascribes her subsequent determination to succeed). Attitude matters more than where you went and what you got. Well, your teen's got plenty of attitude, right?

3. Labels: "You're lazy!"

He may well be "only interested in football". Would you accuse Sir Alex Ferguson of laziness? Meanwhile, the underlying issue (a study skills block, a difficulty with the subject, a personal conflict) remains unidentified, and therefore disruptive. Labels also tend to set problems in stone; yet humans are capable of evolving. Yes, even teenagers. The most you can say if you've noticed that Johnny hasn't done much revision is that you've noticed that Johnny hasn't done much revision.

4. Condescension: "You don't know the meaning of hard work!"

To an adult, a teenager's experiences may be laughable: to the teenager, they're real and often mysterious. Your job is to bridge that gap: why might your son be slamming doors? What's behind your daughter's procrastination? And don't expect them to know.

5. Comparisons: "Why, your little sister's got her act together!"

Perhaps you think you're acting responsibly by encouraging your teenager to notice how much better others are doing. But the best way to help is to stay in your own business. Your nieces and nephews are getting As and doing ballet; that's their business. Yours is to support your teenager. And a young person who knows that his parents' love isn't conditional on exam results will be confident and single-minded enough to do something well.

6/7. Carrots/sticks: "I will/won't buy you that nice car if you pass/fail."

Rewards and punishments are flip sides of the same coin, betraying (a) that you regard education as intrinsically dull or pointless, and (b) that you're desperate about grades.

8. Emotional blackmail: "I'm happy so long as you do your best."

Attaching your wellbeing to your offspring's performance can only be ethical if you're off ering to pay their rehab bills.

9. Disparaging time off: "Shouldn't you be working?"

Intellectually and emotionally, revision has to be the most demanding of all desk jobs. Without time off, people also underperform because, mysteriously, learning is consolidated through breaks and sleep. By now you probably suspect that there's nothing you can say without being held responsible for your teenager's academic downfall. But I know you've got one more trick up your sleeve:

10. Giving them The Look

I saw that.

And a few dos...

• Remember that attitude matters more than grades: this will help you and your teen to relax and, paradoxically, your teenager will perform better.

• Reflect on your own experience of exams to avoid passing down unprocessed anxiety or paralysing guilt.

• Panic may spread throughout your teenager's school environment, so stay calm for him.

• Disconnect your teen's sense of self from her grades: getting A* doesn't make her a star, nor is she a failure if she fails.

• Notice if you project a hopeless future: are you overlooking your teenager's talents and undermining your own parenting achievements?

• Allow your teen to have a different approach to revision – there's no "best way".

• Maddening behaviour (laziness, procrastination, slamming doors) often expresses underlying panic: address the root cause.

• Play down the importance of revision, usually exaggerated. "It's never too late to start", "Every little bit helps", "Just do 10 minutes, see how it goes" helps to get someone started.

• Offer support whatever the outcome – knowing that a parent's love is not grade-dependent can free up motivation.


samedi 23 mai 2009

Suspense !

I'm back ! Sorry for keeping away for so long ! It's been a busy busy period , with Region Langues project and the Theatre group ...

By the way , we are very proud to announce the Marcel Sembat theatre group will present its show on the 10th of June at 6:30pm on the Place de l'Hotel de Ville in Sotteville ! It is free and funny so please come!
And we are already brainstorming around next year's theme . In 2010 , the show will deal with crimes of passion and we'll do it in French and English !
One source of inspiration is this short movie entitled "Lamb to the slaughter " presented in the series "Hitchcock presents " .
When I was young (yes, I know, I still am ) , I used to watch one every Saturday evening around midnight and I went to bed full of fright !

Watch this one , it is full of Hitchcock's irony and it is adapted from a short story written by Roald Dahl who did not only write children tales such as Mathilda and James and the Giant Peach !

http://www.guba.com/watch/2000914418

vendredi 24 avril 2009

To be or not to be ...


Hello again all of you !
Well, once more, I feel concerned about the fate of my dearest Terminales ES !
As I was browsing the web and France Culture website , I discovered this week, some of their broadcastings were dedicated to philosophy and more particularly to the Bac Philo ...

http://www.radiofrance.fr/chaines/france-culture2/dossiers/2009/bac-philo/

Please go and discover this precious file !

FACEBOOK GOOD MANNERS !


Here is a funny video to remind you of a few elementary rules to respect on Facebook (among others ! )

http://www.youtube.com/watch?v=iROYzrm5SBM

lundi 20 avril 2009

Beware of the pink light ! Teenagers repellent

Are you desperately trying to hide your latest acne spot ?
If so, you shouldn't wander around Mansfield 's underpasses ...

Read this article and watch the video ...!

http://news.bbc.co.uk/2/hi/uk_news/england/nottinghamshire/7963347.stm

vendredi 10 avril 2009

Photography is truth .

Helen Levitt died on the 29th of March at the age of 95.

She made her mark on photography during a volatile time in America. The social crisis of the 1930's inspired photographers to work for government funded projects to expose and correct the social problems. Walker Evans documented the rural south and Lewis Hine labor conditions while Dorothea Lange revealed urban plights. Helen Levitt chose a different path. At age 23 the subject she'd singularly devote a long career was located just blocks away in the children of New York neighborhoods.

As a child raised in Brooklyn, NY she had a fascination with sounds, dance, books and foreign films. Feeling unstimulated at school she left before graduating and went to work for a commercial photographer gaining technical knowledge over the next four years. Her self-taught education aligned her with Henri Cartier-Bresson and Walker Evans. Cartier-Bresson's work taught her three lessons: a blunt photographic record of ordinary facts could reveal the mystery and fantasy within daily life; that the poetry in such pictures turned its back on conventional value systems and notions of beauty; and that this art, which trafficked in the momentary, was not haphazard.



Flooding herself with art exhibits, photography, theater performances and film created for Helen a personal photo-learning experience. In 1936 she purchased the same compact Leica Cartier-Bresson used and attached a right-angle viewfinder. The equipment was central in her ability to maneuver through the neighborhood streets and photograph the natural choreography of children at play. She could remain on the fringes without disturbing the ongoing reality. This method of street photography complemented her respect for the privacy of her subjects. Being so consumed with one specific subject, a career in photojournalism held no interest for her.

"Levitt is not concerned with the popularity of her work now, nor has she ever been. She knows that what separates her from others is what makes her an artist, and that what brings her into closest intimacy with them is her wit," said Maria Morris Hambourg, curator in charge of the Department of Photographs at The Metropolitan Museum of Art in New York City. "She has little faith in opinions or interpretations other than her own, and she wishes to live without the intrusions of publicity. She asks that we trust the pictures, not the words."




A theme of her New York work is the doorway as a threshold from private to public space, but her images will confirm as city dwellers can attest, neighborhood stoops, sidewalks and streets can be quite an intimate setting. Her black and white shots are almost all exterior, at a medium distance from the subjects and depict the self at its most extroverted, surreal, natural state, children at play. Levitt's found children are emotional, masked, climbing, miming, dancing, dreaming and acting. The space in her images have been described as stage-like and its inhabitants an unending cast of characters before, during and after the transformation. What I appreciate about her work is an involvement by the viewer in a private, mischievous moment of self-discovery. Levitt doesn't manipulate the situation, rather anticipates it and removes evidence of herself as photographer so we can enjoy a new moment we wouldn't have otherwise.

"Helen Levitt's extraordinary gift is to perceive in a transient split second, and in the most ordinary of places - the common city street - the richly imaginative, various, and tragically tender moments of ordinary human existence," said poet Wallace Stevens. (Colleen Carroll)

jeudi 9 avril 2009

When fat makes art !!!

Hello everybody !

If you spend all your weekends visiting Ronald or Mr Quick , maybe you should watch "Supersize me ", it is broadcast on Arte this evening, 8:40 !
And I'm not sure kebab are much healthier food !
Sorry guys !



Well, in 1966 , the Pop Art King, Andy Warhol only ate one :



There is a large exhibition of Warhol's portraits at The Grand Palais until the 13th of July .

http://www.rmn.fr/warhol/